当前位置：首页 >影楼摄影 >摄影器材 >『摄影教程』如何利用发光呼啦圈创作出美丽的光绘摄影作品Digital Photogr

摄影器材 『摄影教程』如何利用发光呼啦圈创作出美丽的光绘摄影作品Digital Photogr

去年年初，我和几个朋友一起创作出了一些具有独特视觉观感的照片，他们中有的人是专业马戏团表演者，有的则是呼啦圈选手。在我们拍摄的照片中，有许多都是通过光绘的方式来表现的，但是真正令其如此与众不同的还是我的朋友Tess。通过使用内置不同颜色和图案闪光灯的透明呼啦圈，我们共同完成了这个名为“FutureHoop”的光绘摄影系列。作为一名训练有素的舞者和呼啦圈选手，Tess能够利用手中的呼啦圈做出一些非常美丽的动作。

当然，光绘其实并不困难，我们完全可以自己尝试这项技术。如果你没有像FutureHoop中这样的设备，任何其他种类的彩色照明棒或是类似的发光设备也能够完成你拍摄光绘作品的心愿。利用万能的淘宝准备好必要的东西，然后充分发挥你的想象力去完成一幅伟大的作品吧。无论你是否有过光绘的经验，有几点事项是我们需要考虑的，牢记并掌握它们能够确保我们呈现出满意的效果。

选好地点

拍摄的第一步就是要选好地点。你通常需要一个比较有趣或者说有冲突感的背景，来与我们所选择使用的光绘设备相称。在FutureHoop系列中，我们决定将位于新西兰惠灵顿山上的梅西纪念碑作为我们的拍摄地，它是为了纪念一位新西兰的总理而建造的。我一开始就知道它会是一个理想的拍摄地点，因为整个纪念碑的造型和柱子能够提供给我们一个非常戏剧性的背景。此外，这里也有比较丰富的空间可以让Tess不受约束地拿着呼啦圈移动和跳舞。记住，选择地点不能光是想当然，一定要考虑拍摄时的可行性。比如说，海滩通常会是一个进行光绘的理想场所，但在拍摄前你需要确保你的模特能够在上面安全地活动，特别是在黑暗中，海滩上的岩石或绳子很可能会让模特摔倒甚至落入海中。

选择好模特

光绘的另一个核心要素是模特，因而选择合适的模特也是至关重要的。Tess是一位专业的表演者，可以说如果没有她的帮助我根本不可能拍出这些照片。为了呈现出最好的效果，Tess甚至还专门准备了合适的衣服，包括一件能够发光的胸罩。而另一方面，她的专业素养也意味着她能够摆出一些更为专业的姿势。看看下图中她的腰部曲线，她双脚所在的位置，以及她左脚的脚趾是如何摆放的，你甚至还会发现她那会发光的胸罩。

除此之外，Tess还会根据FutureHoop来自己构思动作，并且考虑怎样移动才能够拍出更好的照片。这使得我们不用耗费精力去设计动作，而是把全部的精力都投入到拍摄上去。如果你的模特并不像Tess这样专业，那也没关系，你需要做的就是让你的模特多加练习，并且为多次反复拍摄做好准备，要知道很多时候首次拍摄出的效果都并不能令我们满意。在拍摄期间，我们需要通过相机的LCD来查看照片中什么地方是好的，什么地方还有改进的空间。然后再将改进的意见和模特一起交流，进而要求他们再做一次，直到获得自己满意的结果。

关于拍摄时间的选择

在拍摄开始前，还要记得选择合适的拍摄时间。一般来说最好的光绘时间是在黄昏时分，这时天已经足够黑但却仍保有一些光线，这些环境光能够照亮画面中的背景部分，并且保持天空的色彩。不过在黄昏时拍摄也有一些小困难，例如这时的光线变化速度会很快，因此我们需要时刻注意调整好曝光设置。当环境光开始逐渐减弱时，我们就需要调整呼啦圈和背景之间的亮度比例。

从上面两张照片中我们就可以看到差异。第一张拍摄的时间较早，而第二张则是在天空接近全黑的时候拍摄的。在第一张中，纪念碑的柱子被落日的余晖所照亮，相比之下第二张中的呼啦圈显然要更亮，因为此时的环境光更弱。需要注意的是，为了更好的与第二张进行匹配，我在Lightroom中稍稍调暗了背景部分。下图主要展示了Tess拍摄时的着装，如果在这个时候拍摄就太亮了，我们所能看到的呼啦圈上的光可以说微乎其微。

当然如果你希望曝光能够保持一致也可以选择在晚上拍摄，只不过那时候的天空就会缺少色彩。另一方面，当你的模特距离背景中的建筑物足够近时，设备上的光线就能够照亮背景。所以说，在晚上拍摄有好处也有坏处，怎样取舍全凭自己的创作需要，总的来说我个人还是觉得在黄昏拍摄会更好。

拍摄技巧与相机设定

确保在拍摄时使用正确的技术。由于你需要放慢你的快门速度来拍摄光绘作品，一个稳固的三脚架和快门线就是必不可少的了。我拍摄这些照片时使用了2s和4s的快门速度，根据你模特的实际移动速度和所使用的设备，你可能会需要使用到更长的快门速度。Tess的移动非常快，因此更快的快门速度对于我们来说会比较合适。

将你的相机设定为手动或“M”模式，以便在拍摄过程中曝光能够保持不变。如果在拍摄时遭遇到了光线的变化，我们也能够比较容易地通过开大光圈或提高ISO的方式来进行调整。记得使用RAW格式拍摄，它能够给予你最大的调整空间和容错率，此时我们不需要过多担心照片的色彩问题，因为我们可以在后期中再得到自己满意的效果。在拍摄该系列作品时，我会保持自己的镜头光圈处于f/8或f/11的位置，一旦天空开始变暗，我就调高ISO。我将白平衡设置为“日光”，以便我能够将呼啦圈和环境中的光线自然地展现来，使用自动白平衡可能会导致画面中出现一些奇怪的颜色。

via：digital-photography-school

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